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"The museum is so excited to have children here once again!" exclaimed Grace Wilson, director of communications at the New Orleans Museum of Art. "A lot of our exhibitions have been so adult-centric, but for this one, adults as well as children will enjoy it."
Wilson is, of course, talking about NOMA's new Disney exhibit, Dreams Come True: Art of the Classic Fairy Tales from the Walt Disney Studio. New Orleans is the exhibit's only North American stop, a fact for which we can thank the charm of our fair city. Evidently, the artists working on Disney's newest, The Princess and The Frog, fell so in love with the city while they were drawing it that they knew the exhibit had to come here.
The weather outside has been just glorious lately, no? The deep blue of the sky and - finally! - fall crisp in the air make me want to get outside and stay there until the sun goes down, longer if I have a blanket handy.
You think so, too? Well, you're in luck; I have an excuse for you to do exactly that!
From 11 a.m. to 5 p.m. Saturday, North Rampart Main Street, Inc. presents its third annual North RampART Festival, complete with all of the New Orleans festival necessities: food, music and space for a lawn chair. Even if the sun isn't shining, the festival will go on and promises a good time.
Last Thursday night inside the Cabildo's eerie Arsenal, New Orleans' own voodou priestess, Sallie Ann Glassman, presented a Ya Ya History lecture on the twisted, complicated, give-and-take relationship between voodou and the New World. After walking across the echoing flagstone on the first floor, my voodou-curious friend and I made our way to the third floor of the building, where we found a completely packed house eagerly waiting to learn.
The crowd was a mixed bag: young, old, black, white, men in tweed business suits, a 20-something guy in a Led Zeppelin hoodie. A marching band was practicing in the Cabildo courtyard, making it easy to imagine a sacrificial drumbeat as slides of voodou rituals flashed in front of the room. And then it started.
"This is the story of the battle between the visible and invisible worlds," Glassman began.